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The Epic of Gilgamesh

The Deluge tablet, carved in stone, of the Gil...
Neo-Assyrian "Flood Tablet"

Dear Readers,

After a number of fits and starts, my colleague, Barbara Hawkins and I have just completed a brand new study guide for any teacher/parent/student interested in studying this most seminal work of literature!  We have incorporated the Charlotte Mason approach to studying great works of literature and we believe you will find this guide a truly helpful tool in understanding and appreciating this epic.

Gilgamesh is the world’s oldest epic and established many of the literary motifs we’ve come to expect in great epic works.  The story of Gilgamesh took place nearly five thousand years ago, but only became familiar to the modern world in the middle of the nineteenth century.   Hearing tales of wondrous treasures to be found beneath the stark desert sands of ancient Mesopotamia, a young English traveler named Austen Henry Layard (pictured above left) began digging in 1844 near the town of Mosul, Iraq.  There he discovered the remnants of the library of Ashurbanipal (668-627 BC), a famous king from the Assyrian period.  Mixed among the twenty-five thousand tablets shipped back to the British Museum were the fragments of twelve tablets containing one of the most ancient masterpieces known to man.

However, since scholars had to learn how to decipher the cuneiform script inscribed on the tablets, Gilgamesh continued its obscure existence in the basement of the British Museum until 1872 when George Smith, a curator with a common name, made an uncommon discovery.  He found an account of a vast flood in ancient Mesopotamia with details that eerily echoed the Biblical narration of the Flood.  “On looking down the third column, my eye caught the statement that the ship rested on the mountains of Nizir, followed by the account of the sending forth of the dove, and its finding no resting-place and returning.  I saw at once that I had here discovered a portion at least of the Chaldean account of the Deluge” (Mitchell 4).  Smith’s translation, published in 1876, sparked a frenzy to discover and translate the rest of the epic.   Even though no complete version has ever been unearthed, the adventures of this ancient king, no matter how whimsically interpreted, continue to enthrall each and every reader.

The good news for those interested in studying this epic with their young students (3rd/4th grade up to 7/8th) is that the children’s author, Geraldine McCaughrean–winner of the Carnegie Medal,  has written a lyrical and complete edition for the intermediate student.  McCaughrean’s work makes this epic approachable by even the uninitiated.  For those working with older students, or for high school students interested in this period, David Ferry’s A New Rendering in English Verse, is the perfect choice.  The newly completed study guide includes a thorough introduction to the heroic quest, insight on literary components and motifs, vocabulary, writing prompts, comprehension and analytical questions and much more.  As Geraldine McCaughrean notes in her introduction to her children’s book:

I feel a personal affection for Gilgamesh the Hero.  I just love that story.  It epitomizes all the reasons I like myth: because myth predates the whole Children’s Book/Adult Book divide. The stories are about things that mattered to everyone, regardless of age. They’re about the big things –passion and death and terror and God and friendship and heroism…

You can access a downloadable format of our new guide here.  Enjoy your trip to Ancient Sumer!

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Einstein, Edith, and Euripides

I promised I would continue to address the importance of classical literature at the high school level for those doing ancient studies and in particular how these could be added into a current study using the Ancient History Through Literature Study Guide. While The Greek Way by Edith Hamilton is currently used in the above study, another treasure we found recently was the author’s work on ancient Rome in The Roman Way.  In validating for a high school student the importance of classical knowledge I appreciate Albert Einstein’s perspective. His notions of the modern tendency to cultural myopia—seeing the world only through the narrow constraints of our own contemporary lens—seem particularly apropos at this juncture:

Somebody who only reads newspapers and at best books of contemporary authors looks to me like an extremely near-sighted person who scorns eyeglasses. He is completely dependent on the
prejudices and fashions of his times, since he never gets to see or hear anything else. There are only a few enlightened people with a lucid mind and style and with good taste within a century. What has been preserved of their work belongs among the most precious possessions of mankind. We owe it to a few writers of antiquity (Plato, Aristotle, etc.) that the people in the Middle Ages could slowly extricate themselves from the superstitions and ignorance that had darkened life for more than half a millennium. Nothing is more needed to overcome the modernist’s snobbishness.

A contemporary author who has made the classical works more accessible to this generation is Edith Hamilton.  Both her The Greek Way and The Roman Way can act as primers for those of us not well-versed in the ancient classics.  In The Greek Way Hamilton introduces students to the great minds of ancient Greece, shot through with a clear Judeo-Christian perspective. Lavish seminal quotations portray the ancient’s continual pursuit of truth and beauty, exposing the young scholar to an appreciation for the birth of philosophy—the love of wisdom. For Hamilton, an understanding of the Greek way is essential to true education. She shows deftly how ancient Greece established the Western foundations of art, literature, architecture, sculpture, drama, tragedy, comedy, philosophy, and science, and overarching all is the relentless and intractable pursuit of truth. As Hamilton notes, these Athenians, “being free from masters they used their freedom to think. For the first time in the world the mind was free, free as it hardly is today.” We moderns would do well to sit with Aristotle, Plato, Socrates, Aeschylus, Euripides, and Aristophanes. Their wisdom can inform and enlighten our understanding of God and the transcendent truth to which we ascribe as Christians in a postmodern world.

In The Roman Way, students will have the opportunity to see how Greek philosophy carried over to Rome and enabled Rome for a time to establish an empire built upon republican principles of law and civil order. Reading the letters of Cicero is instructive in light of the apathy and indifference that allowed Rome’s noble system of government to fall victim to usurpation and abuse of power. The poetry of Horace, his love of simplicity and gentle virtue, the love poems of Cattallus, and the war diaries of Caesar all form the foundations of modern history and literature. While this cursory overview is hardly reflective of the riches to be mined in studying this period, those that are fortunate enough to discover the treasures here will likely form a lifetime curiosity that will lead them into still greater discoveries.  A high school student (and his or her home schooling parent!) given the opportunity to sit with the greatest minds of all time will have an amazing lens through which to understand, judge, and discern, the universal issues of life, politics, and the human heart.