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Dear Readers,

I am very excited to announce a new, fun, exciting twist on my regular Summer Literature Soirée!  This summer, the lovely Greta Eskridge of #maandpamodern fame will be joining me to enhance and enrich our time together!  Greta (if you don’t know her–and you should) hosts the very popular At Home Podcast where her lively personality, her disarming humility, and her honesty and vulnerability have earned her a very faithful following!  Greta is one of a few voices in home schooling today that is actually a home school graduate herself (as well as a college graduate–which she did not do at home), and I know you will love her as much as I do!

This year, rather than hosting this at my home, as I have done for the last 6 years (yes, it’s been six!), Greta and I have secured the beautiful Monday Club on Monterey in San Luis Obispo.  This historic building was built by California’s first woman architect–the remarkable Julia Morgan.  Its warm Spanish Colonial style architecture will provide a hospitable and lovely venue for our day of discussing history, literature, poetry and nature!  I so hope you can join us!

And on a side note–we will be serving our local favorite–Scout Coffee, and a delicious sandwich and salad luncheon created my the master Southern Italian chefs at Giuseppe’s Bistro!  So, make plans to join us for a festive day of laughter, learning, literature and life!  Here are the details and here is the link to register:

Rea and Greta’s Literature Soirée
July 22, 2017
9am to 4pm
The Monday Club, San Luis Obispo, CA
Cost: Early Bird $60 by May 31st
$65 after June 1

A free COFFEE MEET UP with Rea and Greta will be held the night before the Soirée at Scout Coffee on Foothill Avenue. Come at 6:30 pm. Cost of admission is a cup of coffee or tea!  Come get a chance to mingle with lots of like-minded mamas and enjoy San Luis Obispo’s favorite coffee hang-out at the same time!

 

Teaching History Through Literature by Rea Berg

Our ancient predecessors, sitting by candlelight or lamplight, reading history, actually read history through literature.  There simply was no other way to study history–as there were no textbooks until the Modern era. History has effectively been taught through literature since ancient times.  Just the last century or so has this vibrant subject been robbed of its human connection by the ubiquitous textbook.  As Neil Postman urges in his book, The End of Education, those who desire to improve teaching ought to get rid of all textbooks which, in his opinion are “the enemies of education, instruments for promoting dogmatism and trivial learning” (116).  Replacing the history textbook with literature not only restores this discipline to its historic roots, but also reinvigorates it with its inherent passion, human interest, and wonder. In the long term, children who are exposed to the best books from an early age, learn the adventure, drama, and poetry of a well-told tale, and discover the truth of Ralph Waldo Emerson’s maxim, “All history is biography.”

The Power of Poetry

 by Greta Eskridge

“Poetry: the best words in the best order.”
Samuel Taylor Coleridge



For many of us teachers, poetry is an afterthought. There are so many books to get through, novels, historical books, texts about science and geography, that we struggle to find room for poetry. If there is any time left at the end of a school day or week, we might fit in a poem or two. But we might not. Because we aren’t sure that poetry matters all that much.
However, when we don’t expose our children to poetry we are doing them a great disservice. The author W. Somerset Maughman says, “the crown of literature is poetry.” 
Poetry requires a different kind of reading and thinking from us than prose does. It makes us work a little bit harder. It exposes us to the best language, because it the poet chooses each word so carefully.
In this session, Greta will share with you many ways to bring poetry into your school day. She’ll give you everything from lesson ideas, to lists of best-loved childhood poems, and poetry collections. She’ll share a bit of her childhood exposure to poetry, or more accurately, the lack thereof. And what it was that finally brought poetry to life for her.
More than anything, Greta wants you to come way from this session feeling excited about poetry and inspired to add it to your everyday life. After all,  “teaching poetry is one important way to help children become human beings who are fully awake to the world.” Megan McNamer

Exploring the Great Writers of History for Children–A Practicum on Teaching History Through Literature by Rea Berg

At the turn of the twentieth century, a publication movement arose that recognized the value of children having excellent picture books and history books that dealt with serious subjects, no longer just fairy tales and fantasy–but history and biography.  Recognized experts in their fields were commissioned to write excellent books for children. This movement coincided with an artistic flowering committed to exposing children to the beauty of art at a young age. Combined, these movements resulted in a golden era of children’s literature that provided children (and their parents) with extraordinary books that were not only intellectually satisfying, but also visually pleasing.  This session will explore a number of these works and the ways in which these books can build a rich historical and literary curriculum for you and your students.  

Learning to Love Nature Through Literature by Greta Eskridge

“He does not despise real woods because he reads of enchanted woods; the reading makes all the real woods a little enchanted.” CS Lewis



One might not automatically make a connection between nature and literature. Spending time in nature calls to mind hiking trails and backpacks, dirt and bugs. While literature makes us think of academia, deep discussions, or at the very least, curling up in a comfy spot to get lost in the pages of Jane Austin.
However, many wonderful works of literature are rich in nature, and the writers of these works were great nature lovers. They understood the powerful teacher that nature and literature can be together, engaging us in the wonder of the natural sciences in a way a textbooks never could.  
When we read these works of literature with our children, we expose them to the beauty and marvels of nature in a powerful way.
In this session, Greta will share her own journey of falling in love with nature through reading great books. And she’ll explain why she has made nature study through literature such a priority in her own children’s education.
Greta will share practical tips on how to make nature come alive through books. As well as ways to get more nature into your lives, even if the idea of a hike with your children leaves you feeling slightly panicked. 
You’ll come away from this session with an extensive list of books that are rich in nature. Best of all, you’ll be inspired to add more nature and literature to your school days.



 

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Dear Readers,

Some Writer! The Story of E.B. White by Melissa Sweet

Some Writer! The Story of E.B. White by Melissa Sweet

This summer while babysitting three of my adorable grandsons, I read the oldest grandson Charlotte’s Web for the first time.  He is a bright little guy for 7 years old, who loves Simagestar Wars (he practically has all the movies memorized), action figures, Cars, Planes (both movies) and generally boyish stuff.  I had some reservations as to how much he would enjoy the story of Fern, Wilber, and Charlotte, (there being no Jedi Warriors, Luke Skywalkers, or battles with light sabers).  What will he think of this old-fashioned tale of barnyard animals, tender affection and lasting friendship?

I needn’t have worried.  Even for a tiny 7 year-old Jedi warrior, this classic still strikes a chord.  It was a joy to see him (not much of a cuddler) cuddle close and listen attentively to this sweet story.  He asked all the right questions and we had a special connection for those precious few days.  It is a memory I’ll treasure and I trust he will too.

So it was with delight that I heard about the publication today of Some Writer: The Story of E.B. White by Melissa Sweet.  You can hear the full broadcast here and I think you’ll find the collage illustrations enticing and enchanting!  I’m so happy that E.B. White is getting some well-deserved attention.  The enduring nature of Charlotte’s Web, Stuart Little, and The Trumpet of the Swan and his contributions to other children’s writers make this a wonderful homage to a writer who should have won a Newbery Medal.  The year Charlotte’s Web was published it lost the Newbery Medal to The Secret of the Andes by Ann Nolan Clark–a book seldom read today. (It did garner a Newbery Honor). In The New York Times, Eudora Welty wrote of Charlotte’s Web, “As a piece of work it is just about perfect, and just about magical in the way it is done”.  And the astounding sales (78 million copies) and the book’s translation into 23 languages proves that simple, tender, and old-fashioned stories can still capture the heart of a boy–even a Jedi warrior.

White wrote everything on a manual typewriter. The author typed up all White's poems on a manual typewrite to include them as parts of the illustrations.

E.B. White wrote everything on a manual typewriter. Melissa Sweet typed up all White’s poems on a manual typewrite to include them as parts of the illustrations.

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. . . the test of a civilization is the way that it cares for its helpless members.~Pearl S. Buck

One of the topics of discussion during our soirée the Saturday before last was the way in which the dystopias of today–The Hunger Games, the Divergent trilogy etc., present disturbing scenes of violence between children.  While violence against children has always been a component of fairy tales, fantasy, science fiction etc., what the astute Samantha Riddering pointed out was the way in which that violence has traditionally been perpetrated by the evil adult antagonist.  Obviously, sometimes that antagonist was a monster, a dragon, an ogre, a wicked stepmother, or an evil Sméagol.  From  fairy tales like Little Red Riding Hood, to sophisticated Pulitzer-prize winning fictions like To Kill a Mockingbird,  violence against children is presented as the work of evil personified–the Big Bad Wolf to Bob Ewell respectively.  The difference in some of today’s young adult dystopias is how often  the ogres perpetrating evil against children are the children themselves. While these dystopias are the literary grandchildren of William Golding’s–The Lord of the Flies–the groundbreaking novel that first featured this disturbing literary trope, the nature of Golding’s brutal images did not popularize it to a youthful audience. In the US it Image result for hunger gamesonly sold a few thousand copies before going out of print. Today it is mandatory reading in high school. Unlike The Lord of the Flies, the trilogies of Divergent and Hunger Games, replete with graphic violence between children are wildly popular with young readers who seem inured to a level of violence that seems extreme.

Additionally layering the complexity of child-to-child violence is that the teen protagonists become hardened and highly skilled warriors perpetrating acts of war at a young age. Sometimes these actions involve gut-wrenching cruelty like the Divergent character Peter plunging a knife into Edward’s eye while he’s asleep. Though youth becoming skilled warriors isn’t new in children’s lit–Frodo and Sam Gamgee are young hobbits when they fight the evil forces of Mordor, and Peter and Edmund become warriors in Narnia–again, what is new is war between rival youth.  Perhaps the real-life counterpart is gang warfare, which would beg the question of how books like the trilogies mentioned may contribute to an already violent gang culture. Oh, but gang members don’t read, so not to worry.   I think it’s interesting to note that the film scene of Peter’s nocturnal knifing of Edward was cut from the movie.  Director Neil Burger denied that the scene was cut because it was too graphic, but rather because it “disrupted the flow of the story.”   Hmmm.  Gratuitous perhaps?

As I was finishing writing this my daughter Rebecca posted a wonderful blog entry on the “Loveliness of Reading Aloud” which I think you’ll enjoy.  She links in her article to another by Meghan Cox Gurdon which may further inspire the effort it takes to develop this practice in your home.  Gurdon is the children’s literature critic for the Wall Street Journal and as a mother of 5 has her finger firmly on the pulse of the kinds of books most parents want their children to enjoy.  For parents reading this that have YA readers, I think you’ll find her article on this genre enlightening.

For those that attended the soirée who might have thoughts they didn’t share that day or any others who would just like to comment on this topic, please feel free to do so below.  What are the thoughts ruminating around in your mind when you confront the issues of violence in children’s lit today? Let’s continue this discussion!  In the meantime I’ll close with this beautiful quote from Tolkien on the function of fairy-tale as it reminds us of the limitless power of the well-crafted tale to cultivate the best in the human heart.

The eucatastrophic tale [one with a happy ending] is the true form of fairy-tale, and its highest function.  The consolation of fairy-stories, the joy of the happy ending: or more correctly of the good catastrophe, the sudden joyous “turn” (for there is no true endImage result for tolkien to any fairy-tale: this joy, which is one of the things which fairy-stories can produce supremely well, is not essentially “escapist”, nor “fugitive.”  In its fairy-tale–or otherworld–setting, it is a sudden and miraculous grace: never to be counted on to recur.  It does not deny the existence of dyscatastrophe, or sorrow or: the possibility of these is necessary to the joy of deliverance; it denies (in the face of much evidence, if you will) universal final defeat and in so far is evangelium, giving a fleeting glimpse of Joy, Joy beyond the walls of the world, poignant as grief. –Tolkien, Tree and Leaf (68-69).

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Marilyn Nelson's tender, poignant and inspiring life of a man of faith and science.

Marilyn Nelson’s tender, poignant and inspiring poetry portrays the  life of a man of faith and science.

Dear Readers and friends,

August 9, 2014 will be my Summer Literature Soirée, which many of you have attended in the past.  Normally I like to do a summer reading event at the beginning of the summer and then a Back-to-School event at the end of August, early September.  But due to speaking engagements and other life commitments (2 new grandchildren born this spring!), I am only able to provide one this season. Regardless, I am very much looking forward to spending this special time discussing literature, nurturing friendships, and making new acquaintances too!

So, I am mixing it up a bit this time, as I’d like to spend a bit more concentrated time digging into literary analysis with all of you!  Don’t panic if you’ve never analyzed literature before as this format will empower you to feel confident and equipped to discuss literature with your children/students on a deeper level.

Richard Kim's memoir of his childhood in Korea is one of the most beautiful an moving coming-of-age stories I've ever encountered.

Richard Kim’s memoir of his childhood in Korea is one of the most beautiful and moving coming-of-age stories I’ve ever encountered.

Here’s the literature we will discuss on August 9th:

Carver: A Life in Poems by Marilyn Nelson

Water Buffalo Days by Quang Nhuong Huynh

Lost Names by Richard Kim

Wonder by R.J. Palacio

Time of Wonder by Robert McCloskey

The Little Island by Margaret Wise Brown

For convenience sake, Beautiful Feet Books will offer anyone who signs up for the soirée, an opportunity to purchase the above books discounted and have them shipped  to your home, in the next week or so,  to give you enough time to read them before August 9th (yeah for summer lazy days to read and rest!).  If you are interested in this, please visit the this link to order as soon as possible. The book pack is featured at the bottom of the page. We will offer  the above set of books at a 25% discount, but this offer will only be available until Friday, July 11.   And of course, bring the books with you on August 9th, so you can work directly with the text!

McCloskey's classic summer story evokes the pathos and innocence of childhood days spent on salt water, enchanted by the beauty of nature and the freshness of summer showers.

McCloskey’s classic summer story evokes the pathos and innocence of childhood days spent on salt water, enchanted by the beauty of nature and the freshness of summer showers.

So here are the details:

Date: Saturday, August 9, 2014

Place: my home: 1306 Mill Street, San Luis Obispo, CA 93401

Cost: $35.00 (which includes lunch)

Time: 9:30 am – 3:30 pm.

Registration here.

Hoping you’ll join me for this sweet summer time event!

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Dear Readers,

Just a little over six weeks from now, June 12-14, the Great Homeschool Convention returns to California for three days of wonderful workshops, keynote speakers, and tantalizing curriculum exhibits! At Beautiful Feet Books, we  look forward to connecting with you either at one of the three sessions I’ll be presenting, or at our BFB booth.

b4c4f95361719784b9d266fb5f2f0a79One of the topics I will be speaking on is: Classic Literature for Character Building (or Character Through Literature), so I wanted to take a moment to give a brief overview of what my session will cover as you make plans for your GHC weekend!

We can strip the knight of his amor, to reveal that he looks exactly like us, or we can try on the armor ourselves to experience how it feels.  Fiction provides an ideal opportunity to try on the armor. –C.S. Lewis

Over thirty years of reading aloud to my children has convinced me, more than ever, of the profound life-changing, life-equipping, and soul-nourishing importance of great books.  Recently I began reading Charles Dickens’s  A Tale of Two Cities to my youngest daughter, aged 14.  She was fairly ambivalent as we began, particularly because the 19th century English verbiage is challenging, to say the least.  Not being familiar with Dickens can stop even an avid reader from wanting to continue what can be a truly challenging endeavor.  Fortunately for me, an older adult son happened to be visiting at the time and remarked that A Tale of Two tale-of-two-cities-book-cover-450x600-1Cities was his favorite book in high school.  He even remembered writing his own Tale of Two Cities based upon Dickens’s great work. Haply, that helped cinch the deal, and we continue pursuing this remarkable novel knowing that the unforgettable characters that Dickens created in this work–the cruel Madame Defarge, the noble Charles Darnay, and the ultimately self-sacrificing Sydney Carton, will impact our hearts long after we close the final pages of this book.  As Lewis notes in the quote above, we can either choose to live cynical unimaginative lives, or we can, through our imaginative powers walk vicariously in the shoes of another, and through that identification, ultimately determine what kind of people we want to be.  Will we make noble, self-sacrificing choices like Darnay and Carton, or will we be unforgiving and vengeful as the cruel Madame Defarge?  In small ways, we have an opportunity to make these choices each day.

The best books inspire us, not by preaching lofty sermons, or by moralizing lectures, but by drawing us into stories that resonate with the human desire to love and be loved, and by our longing to live for something bigger and better than ourselves. In the novel Don Quixote, Cervantes states through his main protagonist that the ” . . . ultimate end of writing is both to instruct and delight” (476).1 Since Cervantes is credited with the invention of the modern novel, perhaps his perspective is one we should take to heart. Regarding the notion of “instruction” of course, as parents we get that, that is a given. In our parental role we are forever looking for resources to educate, inform, and instruct our children. But how often in that pursuit, do we neglect the notion of delight? When we make choices of literature,  do we adequately factor in the importance of delight as an essential medium of the most important kind of learning?  Consider how often Jesus used stories to teach moral lessons.  His stories were never dry, dull, or boring.  Rather they captured his listeners by their pure simplicity, their inherent truth and their clear applicability to everyone’s lives.  All great literature has these same inherent qualities, from the simplest children’s book like Make Way for Ducklings to sophisticated novels like Pride and Prejudice.  

In June I’ll be presenting the essential elements that make books delightful, and how stories have the power to truly mold ourselves and our children into the kind of characters we want to be in this great drama called life–written and directed by the master storyteller Himself. I hope to see you in June at the Great Homeschool Convention!

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imgresPart V.
Charlotte Mason and Susan Schaeffer Macaulay: Mentors of the Modern Home Schooling Movement

The year 2014 marks the thirtieth anniversary of the publication of Susan Schaeffer Macaulay’s book . Neophytes to home education back in the early 1980s (as most of us were) found in Macaulay’s book a call to a model of education that resonated with something deep in the human heart—something most of us had only inklings of. Macaulay was the first voice to articulate the teachings of Charlotte Mason in a way that was challenging, inspiring, and reflected many abstract thoughts circulating about education but not yet formed into a cohesive paradigm. Over thirty years later, Macaulay’s work is visible in nearly every quarter of the homeschooling world, where the legacy of Charlotte Mason is seen in countless ways.

The year 2014 marks the thirtieth anniversary of the publication of Susan Schaeffer Macaulay’s book For the Children’s Sake: Foundations of Education for the Home and School. Neophytes to home education back in the early 1980s (as most of us were) found in Macaulay’s book a call to a model of education that resonated with something deep in the human heart—something most of us had only inklings of. Macaulay was the first voice to articulate the teachings of Charlotte Mason in a way that was challenging, inspiring, and reflected many abstract thoughts circulating about education but not yet formed into a cohesive paradigm. Over thirty years later, Macaulay’s work is visible in nearly every quarter of the homeschooling world, where the legacy of Charlotte Mason is seen in countless ways.

Intrinsic Value of the Child as an Individual

How did the work of Charlotte Mason, as revitalized by Susan Schaeffer Macaulay, shape the grassroots home education movement as it emerged in the early 1980s? While their vision and impact is difficult to quantify, I think there were three very distinct ways in which these two women impacted the education of hundreds of thousands of young children and by extension their parents. The first was a call to a sense of the intrinsic value of the child as an individual. Mason stated that “children are born persons” and challenged parents and teachers to really get to know, study, and respect the children God has put into their lives.1 Elaborating on this point, Macaulay noted that “Charlotte Mason not only said she treasured the minds of children, but she acted upon that belief, [she] enjoyed sharing the good things of life with the eager minds of children. She dealt with them on an eye-to-eye level . . . delighting in introducing them to all aspects of reality with a positive joy. She delighted in their separate individuality.”2 I remember distinctly how these thoughts impressed me—a busy young mother with four little ones under six. Never having seen this kind of parenting modeled growing up (where the motto was “children should be seen and not heard”), I hung on every word and labored to implement delight and joy into mothering and educating my four. As I learned to see my little ones with an eye to their individual gifts and intrinsic uniqueness, Mason and Macaulay taught me how to love my children better and how to relish the gift of life expressed through each of them. When Macaulay pleaded: “Where are the friends and lovers of children?  Who will open up the wonderful windows into the whole of reality and let their capable minds be stimulated?”3 I knew that I was the one to do that for my children. Mason and Macaulay gave me a vision of nurturing motherhood that was fresh, challenging, and consistent with a Biblical worldview. It required energy, passion, intelligence, and devotion, but promised the gratification and satisfaction of exploring the wonder and beauty of God’s world alongside my children. We would become fellow pilgrims journeying together in a great adventure of learning.

“Twaddle-free” education

Based upon the foundation of the intrinsic value of the child, Mason and Macaulay demonstrate how to provide children with a rich adventure in learning.   That was the “twaddle-free” course of study.4  This phrase, coined by Mason, reflected a course of study free of textbooks and workbooks–both women lamented what they viewed as the watered down, uninspired, pedantic nature of so much that passes as educational curriculum. The very nature of institutionalized education spawned the birth of curriculum designed to keep classes of children engaged eight hours a day. Macaulay decries this approach to education, noting 

. . . how colorfully and scientifically our generation talks down to the little child! What insipid, stupid, dull stories are trotted out! And we don’t stop there. We don’t respect the children’s thinking or let them come to any conclusions themselves! We ply them with endless questions, the ones we’ve thought up, instead of being silent and letting the child’s questions bubble up with interest. We tire them with workbooks that would squeeze out the last drop of anybody’s patience. We remove interesting books and squander time on ‘reading skill testing,’ using idiotic isolated paragraphs which no one would dream of taking home to read.5 

Ruth Beechick, in her book You Can Teach Your Child Successfully, echoed this notion by pointing out that presenting our students with information that is “pre-digested, pre-thought, pre-analyzed, and pre-synthesized . . . depriv[es] children of the joy of original thought.”6  The cultural critic Neil Postman, who was most popularly known for his book titled Amusing Ourselves to Death, suggested in his book, The End of Education, that often knowledge is presented as the accumulation of facts, dates, times, places—trivializing the pursuit of knowledge to the extent that “there is no sense of the frailty or ambiguity of human judgment, no hint of the possibilities of error. Knowledge is presented as a commodity to be acquired, never as a human struggle to understand, to overcome falsity, to stumble toward truth.”7 Sadly, in the current trend toward academic efficiency there is often a neglect of works of quality and enduring value for the “convenience” of books that contain neither literary beauty nor status in the world of children’s canonical literature.

What Charlotte Mason insisted upon rather than “twaddle” was a course of instruction rich in classical, historical, and biographical literature. Young children should have a diet full of folk and fairy tales, oversized picture books beautifully illustrated, Bible stories and tales of talking animals. Even Shakespeare could be introduced to young children of third grade in a book such as Lamb’s Tales from Shakespeare. Literature should never speak down to children, but rather should engage them intelligently and respectfully. The best books for children do this naturally. 

Embrace the child’s tender years

What has become an oft-repeated tale in the current trend of academic rigor is a neglect of the tremendous wealth of young children’s literature. At a recent speaking engagement I was dismayed to hear from numerous parents of young children who knew nothing of the above authors, not to mention Charlotte Mason. Following an educational trend, they were missing one of the greatest joys of parenting—the vast treasury of glorious children’s books!  The beauty of Mason’s philosophy was the freedom she allowed parents and teachers to embrace the child in their tender years with literature suitable for innocent minds and hearts.  Rather than imposing education from without—following a pre-determined scope and sequence set by others—Mason trained us to see education as a matter of the spirit. The world of knowledge is brought to the child through gradually expanding circles of understanding.  In other words, the simplest fairy tales, folktales and picture books for the young one, then stories of our country for the primary child—and gradually moving on to the stories of other lands and places as they mature in understanding and scope. As we imgres-1explore the beauty and wonder of God’s world with the child, we nurture the spirit, validate the individuality of each young person, and respect the unique gift that every child is. 

An unlimited treasury of rich children’s books


From the moment a child enters the primary grades, the choices for a course of study rich in historical, biographical, and classical literature are unlimited. No young child should grow up without the wonderful works of award-winning authors like Meindert de Jong, James Daugherty, Arnold Lobel, Ruth Krauss, Alice Dalgliesh, Robert McCloskey, Ingri and Edgar Parin d’Aulaire, William Steig, Virginia Lee Burton, Beatrix Potter, A. A. Milne, Brinton Turkle, Marguerite Henry, Munro Leaf, Marguerite de Angeli, and many imgres-2others. In my view, Mason’s and Macaulay’s promotion of “twaddle-free” curriculum was their second most salient contribution and one that birthed an entire industry of rich literature-based programs.

Stories that make for wonder . . .

Two decades ago, those who implemented Mason’s paradigm discovered wonderful benefits in family life. Since most of us were products of traditional classrooms where textbooks comprised the bulk of our education, the opportunity to immerse ourselves and our students in a world rich with literature afforded us an opportunity that enhanced our personal lives dramatically. We became passionate about literature; we read books we had always wanted to read; we journeyed to other times and places in our imagination; we walked in the footsteps of others and understood better their joys, sorrows, and triumphs. In the process of doing all of this our hearts were enlarged, our relationships with our children were strengthened, and we learned empathy and compassion for others. C. S. Lewis referred to this process as the “baptism of the imagination”—an apprehension of that which is pure, true, and beautiful, and ultimately holy.8   Ruth Sawyer, the children’s author and critic, said the best children’s works are

. . . stories that make for wonder. Stories that make for laughter. Stories that stir within, with an understanding of the true nature of courage, of love, of beauty. Stories that make one tingle with high adventure, with daring, with grim determination, with the capacity of seeing danger through to the end. Stories that bring our minds to kneel in reverence; stories that show the tenderness of true mercy, the strength of loyalty, the unmawkish respect for what is good.9

The ability of great stories to speak to the human heart is a powerful tool in our parental tool chest.  The added beauty of reading aloud together with our children is that the books we read often have incredibly valuable lessons to teach us as well.  As our children watch us respond to the characters, events, and lessons we see in literature, they learn appropriate responses to all the vagaries of human life.

The Gift of Play

Finally, Charlotte Mason and Susan Macaulay emphasized the profound importance of play in a young child’s life. When a child is children-playing-philippines_40412_600x450nurtured and fed upon the best books, the natural outcome is a rich imaginative life. From the treasures of imagination comes the delight of play—free, unstructured, play-acting of the stories lining the shelves of the mind. The importance of this cannot be overstated. In our hurry-scurry world it is often free play that gets pushed out of the schedule in our endless shuttle to soccer games, violin lessons, church choir, youth group, gymnastics, ballet, etc. etc. Added to that, even the home schooled child may have play squeezed out in pursuit of academic excellence. Pity the childhood sacrificed on the altars of scholastic achievement. Of this pitfall Mason warns:

There is a danger in these days of much educational effort that children’s play should be crowded out [or what is the same thing] should be prescribed for and arranged until there is no more freedom of choice about play than about work. We do not say a word against the educational value of games (such as football, basketball, etc.) . . . but organized games are not play in the sense we have in view. Boys and girls must have time to invent episodes, carry on adventures, live heroic lives, lay sieges and carry forts, even if the fortress be an old armchair; and in these affairs the elders must neither meddle nor make.10

The rapidity with which children can pick up and play, anywhere and everywhere, is a testament to this wonderful God-given impulse in human nature. I have often been distracted from my homeschooling lessons by an important phone call, an email message, or an unexpected visitor. In every case my children disappear from their “assignments” and can be found donning dress-up clothes, building Playmobil cities, or dancing across the kitchen floor. While in former times I found this irritating, I now understand how wonderful it is. Play’s caprice is something we ought to delight in and embrace. It is a fruit of children who are loved in their homes, nurtured by a steady diet of rich literature, and secure in the love of their family and their God. It is a reflection of the God who made us for His pleasure–a God who delights in bestowing joy.

The teachings of Charlotte Mason, brought to a new generation by Susan Schaeffer Macaulay, are truths that stand the test of time and bear sweet fruit. Nurturing our children’s individuality, providing them a twaddle-free curriculum, and allowing them the gift of play, are as peaceable and easy to entreat as they are simple and sensible. Thirty years after their clarion call was sounded, their reverberations continue to ring true with all who are childlike at heart.

Attention all California friends!  Be sure to sign up soon for the Great Homeschool Convention June 12-14 in Ontario, California.  Remember that if you sign up through Beautiful Feet Books here, BFB will donate $5 to the Brent Blickenstaff fund to help the family through this present crisis.  In my next post I will present a synopsis of the three sessions I’ll be presenting at GHC, so be sure to watch for that.  The three sessions include: Charlotte Mason Meets Plato: Restoring the Joy of Education in Your Home, American History Through Literature, and Character Through Literature.  Looking forward to seeing you there!

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Dear Friends,

In Part IV of our series BFB Fundamentals, we are exploring the question of whether or not Beautiful Feet Books is classical in nature. As we noted in the previous post, until the definition of classical is clarified, the question can become one of semantics and may lead to simplistic conclusions.  Because classical is currently the homeschool paradigm de jour, examining some of its well-accepted tenets should prove helpful as you determine which path is right for you and the students you serve.

What does contemporary classical homeschooling mean?

Classical education as a home schooling model first became popular as the 20th century gave way to the 21st and has remained so since. For those of us who began home schooling in the 1980s, classical education was the new kid on the block.  As with any fad, it swept many in its wake and provided some folks with solutions to the failing standards they saw in public education as well as in the more relaxed homeschooling model.  Its emphasis on a rigorous academic approach seemed to guarantee the creation of scholars who would take positions of leadership in law, medicine, government and so forth.  This would be achieved through implementing the trivium as we noted in our previous post.

Stage One: The Grammar Stage

Early Greek educators did not view education as the process of three distinct stages, but as soon as students could read and write they were reading the classic Greek texts.

Early Greek educators did not view education as the process of three distinct stages; as soon as students could read and write they were reading the classic Greek texts.

Modern classical proponents ascribe to the notion that learning takes place in three distinct 4-year phases of a student’s life. While these phases may seem to correlate to the physical and intellectual development of the child, the bland acceptance of them can prove problematic. In the grammar stage of the classical approach (also known as the poll-parrot stage), emphasis is placed on pouring into the student facts (indeed “masses of information”-as one promoter put it) as children are supposedly sponges ready and willing to soak up facts of every kind, and can easily memorize these facts. Theoretically, later on, in the logic stage, these facts will be drawn upon as the child begins to reason. While this approach fits some students well, especially those gifted in memorization, other students, particularly those not gifted with the ability to retain masses of disparate facts, flounder. The focus on pouring information into a young child is based on the notion that in the grammar stage children will unquestioningly accept what is offered.

But is this 4-year cycle based upon a truly classical approach to education?  Did the ancients view education through this 12-year paradigm to which modern classical proponents ascribe?  As Diane Lockman points out in her helpful article “Classical Education Made Easier“, the ancient Greeks did not separate the grammar, logic, and rhetoric stages. Students became proficient in reading, reasoning and speaking as they studied the classic texts of Greek literature with an emphasis on copy work and reading and reciting aloud.

An authentic classical Christian education, as developed during the ancient Greco-Roman world and later refined by the Western Europeans and American colonists, involved mastering three fundamental skills so that the student could then explore the deeper meaning of abstract ideas for the purpose of influencing society.  Three chronological stages were never part of the original interpretation.

The Charlotte Mason approach asserts that all children, regardless of age, are capable of reason, delight, appreciation of beauty, and  that “Education should aim at giving knowledge touched with emotion” (For the Children’s Sake). Pouring information into a child for the mere goal of “filling the brain with facts” defies the essential nature of classical education–the desire to teach children to think. True education cannot ignore the spirit of the child, his basic need to feel connected in some way to the studies at tumblr_moe00wJ7U91rrs6fio1_500hand.  At Beautiful Feet we believe this is done through literature’s emotional connection–the ability to identify with others through the power of stories of literary beauty and historical import.  A quick narrative read of historical facts (standard fare in most classical approaches) that offers no literary beauty and no connection to the great questions of the human condition, fails to meet the standards of a truly classical education.

Begin at the beginning: the four-year cycle of history study?

Additionally, the current classical notion that history studies must begin at the beginning (with ancient history in first grade) is another layer of artificial construction upon an already artificial 12-year model.  Classical education’s promotion of a four-year cycle of history instruction seems reasonable and the repetition (“what we don’t get the first time around, we’ll be sure to pick up next time!”) provides reassurance.  While the four-year cycle approach does provide that revisiting, it doesn’t consider the question of age and developmental appropriateness for subject matter. This concern is dismissed by promoting the notion that while studying ancient history with your first grader, one can just focus on mummification, gladiators, and chariot races; in effect this belies the basic notion that ancient history can be taught to a first grader.  The resultant “classical” studies are cultural in nature, not historical. Indeed, Oxford Reference defines history as “the study of past events, particularly in human affairs”–the study of history necessitates the focus on events.

History, taught classically  . . .

So how does one approach historical studies with a truly classical view to nurturing in young students reading, reasoning, and speaking skills? In essence, this can be accomplished in much the same way as the ancient Greeks did it–by exposing children to the best age-appropriate literature which is relevant to their times and culture.  For a young American child this means the best children’s books on the early saga of America’s great story, much as the Greeks read Homer and studied Plato–the stories of their ancestors, the history of their nation.  A child gifted with the knowledge and appreciation of his own historical heritage better understands his or her place in the world and from that foundation can embrace the beauty and the heritage of other nations and cultures.

So, how does this answer our question, “Is Beautiful Feet Books classical?”  If one looks at some contemporary notions of classical, then the answer would be, “No.”  On the other hand, if one perceives classical as incorporating Socratic reasoning and discussion, engaging with timeless literature (age appropriate), eschewing the use of textbooks and bland narrative works, and involving students in the Great Conversation about the important issues of the human heart, then yes, Beautiful Feet Books is classical.

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